Funny Nepali Sarangi Rap.

There are different versions for the meaning and origins of "sarangi" The word "sarangi" could be a combination of two sanskrit words: "saar" (summary) and "ang" (form, herein different styles of playing instrumental music for e.g. "gayaki ang") hence meaning the instrument that can summarize every style of music or playing."Sarang" in fact has a number of meanings in Sanskrit.According to some musicians, the word sarangi is a combination of two words ‘seh’(Persian equivalent of three) and ‘rangi’ (Persian equivalent of colored) corrupted as sarangi. The term seh-rangi represents the three melody strings.However the most common folk etymology is that sarangi is derived from 'sol rang'(a hundred colours) indicating its adaptability to many styles of vocal music, its flexible tunability, and its ability to produce a large palette of tonal colour and emotional nuance.Well-known sarangi players of the past have included Hyder Bakhsh, Mamman Khan, Nathu Khan, Shakoor Khan, Sagiruddin Khan, Gopal Mishra, Hanuman Prasad Mishra, Abdul Lateef Khan, Bundu Khan, Abdul Majid Khan, Basheer Khan, Mahmood Khan, Sabri Khan and Sultan Khan, Excellent contemporary sarangi players of the younger generation include Sarwar Hussain Khan, Murad Ali Khan and Kamal Sabri. Western sarangi players include Joep Bor, Regula Qureshi and Nicolas Magriel, who are all also scholars of sarangi history and style.The repertoire of sarangi players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale raag presentation with an extensive alap (the unmeasured improvisatory development of the raga) in increasing intensity (alap-jor-jhala) and several compositions in increasing tempi called bandish. As such, it could be seen as being on a par with other instrumental styles such as sitar, sarod, and bansuri.